this post was submitted on 18 Sep 2024
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Was thinking of this after a conversation I had on a thread about dreams. Someone joked “I was dreaming of the events of The Matrix, then I was woken up by someone worried my dream was infringing the Wachowski’s copyrights”, and it turned into a whole train of thought in my mind, like violating IP law because you stole fire from Zeus which was his intellectual property.

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[–] hmonkey@lemy.lol 7 points 2 months ago* (last edited 2 months ago) (2 children)

I think Anish Kapoor owns Vantablack if that counts. Technically he probably just owns the right to the paint

[–] SynonymousStoat@lemmy.world 2 points 2 months ago (1 children)

As much as I dislike Kapoor, technically Vantablack isn't a pigment or regular paint by any means. From my understanding it is actually carbon nano tubes with who knows what else mixed in it and I believe it's actually very dangerous to be around without proper PPE. So in that sense, it makes sense to me that he "owns" it.

Still don't like the guy though.

[–] FatCrab@lemmy.one 1 points 2 months ago (1 children)

If it's patented, you can just read the patent to know what else is in it.

[–] SynonymousStoat@lemmy.world 1 points 2 months ago

I could, but I don't personally care that much about Vantablack.

There is a group (person) that makes an actual super deep black paint called Black 4.0 and if memory serves correctly they actually started with a jab at Kapoor by originally making the Pinkest Pink paint and banned Kapoor from buying it. Looks like they have a lot of different paints these days and are definitely worth checking out.

[–] mangaskahn@lemmy.world 2 points 2 months ago

He doesn't own it. He has an exclusive license to use it in art. Surrey NanoSystems Limited owns the patent on VantaBlack. Stuart Semple was so angry that Kapoor received that license that he had a blacker black material created and licensed it to anyone but Kapoor. When Kapoor obtained a sample anyway, Semple had a still blacker material created, to spite him.

https://www.theguardian.com/artanddesign/shortcuts/2019/aug/05/black-30-anish-kapoor-and-the-art-worlds-pettiest-funniest-dispute