StillPaisleyCat

In the 32nd century, ‘rocks’ would just be the result of programmable matter ‘bricking’.

Earlier though…

I was really impressed by that. Really felt it belonged on a cinematic feature.

We don’t know what be developed or not for the 25th century, but getting a new show developed and greenlit by Paramount is a long haul, and if they don’t like the initial draft pilots, they’ll keep at it.

Starfleet Academy has been in development as a show since at least 2018, with several changes of leadership in the team of creators. The original idea goes back decades to Harve Bennett. It’s finally got through the maze, let’s cheer that.

So, even if the senior executives are open and enthusiastic about an Enterprise G show:

• don’t expect a formal greenlight announcement in less than a year after Picard S3’s finale (which is how long it too for SNW) and then another year to 18 months for production and post;

• don’t assume that there won’t be major reworkings and/or changes in prospective showrunners from initial indications (as there was with Michelle Yeoh’s S31 which also changed showrunners),

Here’s some positive points towards Starfleet Academy

• most fans were super sceptical about both Lower Decks & Prodigy but they are both well loved across generations;

• “reopening the Academy after a hundred years” strongly implies this is in the 32nd century, post Burn, with a cast of largely new characters. Yes, we may see Tilly, some of the Discovery officers or (hopefully) David Cronenberg back as the mysterious Kovich, but that won’t be the principal cast of cadets;

• the EP and coshowrunner Noga Landau was a senior writer with Henry Alfonso Myers on The Magicians. Yes, she took over running Nancy Drew for CBS Studios for the CW, but that was better rated when she did, and better than the usual CW teen targeted shows.

• the other creator, and writer of the greenlit pilot was the head writer of the thriller Absentia (which has good ratings)

• Tawny Newsome is a writer in the writers room.

So new time period, new characters, new team that has done good work for the target demographic. I’m hopeful.

Space-themed media saturation? It’s an entire genre.

Both are established and solid Treklit authors.

I find it interesting that Simon & Schuster is back to contracting new tie-in novels within the existing timeline of classic Trek shows.

IDIC … there are many of us who are keen to see where she went after she walked back through the Guardian of Forever’s time portal in Discovery S3.

Secret information is shared on a need to to basis, not as background on a visiting officer.

She may absolutely know this.

It’s not an urban myth at all that Tom Paris was a renaming of Nick Locarno.

Kirsten Beyer (now a senior producer in the Secret Hideout shows) verified this point with Jeri Taylor (creator of Voyager) back when Kirsten was writing the Voyager Full Circle Treklit books. It’s covered in an afterward. Doubt that would have been cleared for publication if not true.

That said, whatever the meta situation, onscreen canon can be whatever the current EPs want. So, I’m curious where they’ve decided to take this.

I’m liking the new John Eaves design (for June?).

It looks like a quantum slipstream design, very close to Mark Rademaker’s Vesta-class USS Aventine but with a less elongated saucer section.

Interesting.

There are some super rare elements, structures and materials that cannot be replicated.

These unreplicatable ones become the most valuable. Likewise, the value of original or unique sentient-being created artifacts.

Conversely, the value of things that can be replicated is effectively reduced to the energy cost, give or take transportation costs for items that can only be replicated in large industrial replicators.

Energy cost becomes the key value. Not a problem generally, but in a constrained environment like a starship at maximum warp over long periods (e.g., Voyager’s first years in the Delta Quadrant), it can require rationing of replicator usage. (Holodeck had a separate and incompatible power source.)

The most widely known example of an element that can’t be replicated is latinum, which replaced gold as a measure of value. Gold is replicatable but latinum is not.

Other examples include dilithium crystals needed to regulate warp core reactions and benamite crystals needed for the quantum slipstream drive.

Some materials that cannot be replicated in the 23rd century can be otherwise created in the 24th century. The technology progresses through time in-universe.

I believe there was a post or file at the old place that listed all the canonically identified unreplicatable materials. It might be one to bring forward to c/DaystromInstitute. @khaosworks@startrek.website can you weigh in please?

I really liked this and found it sweet.

As others have said, we haven’t seen many of these kind of recounting experiences episodes, but in this transition season it feels like we’re owed one.

While we could have just seen more of the main four leading others in B & C plots, this allowed them and us to take stock of their progress as leaders - except Tendi, but I think we saw a different angle on leadership from her on Orion.

More like 18 months.

It would have been a year had the third season gone into production May 2nd as originally scheduled. But with production on hold until the actors contract is settled, and a year for post after, we’ll be lucky to see it in late 2024.