StillPaisleyCat

joined 1 year ago
[–] StillPaisleyCat@startrek.website 4 points 1 year ago (1 children)

We have to accept that Gorn biology has no tolerance at all for subfreezing temperatures. The Gorn young are functioning at an instinctual level, they would learn by lethal experience. Unlike the adult Gorn in 2 x 10, they would not have the protection of environmental suits.

As I would very much love for Hemmer to be somehow still alive, having survived the fall and a period of low temperature semi-hibernation, anything that brings Starfleet back for follow up would be welcome.

I’m going with assumption that the plan to lure the more developed Gorn outside was successful, but could not address any new ‘infections’ in survivors. Hemmer repeated the plan, but as an Aenar, evolved for extreme subzero temperatures, and more physically robust than a human, there’s no reason to believe he died, no matter that he was willing to sacrifice himself for his shipmates. (I’m willing to go with his using his abilities and some kind of sharp tool to stop his fall and find a crevice to hibernate in.)

Appreciate having @ValueSubtracted@startrek.website post this as mod, and confirming the source as usually reliable.

It’s been trending in Trek-related communities for a day or so.

These all sound intriguing, with the usual LDS potential for integrating and sending up any number of franchise tropes.

At first I thought Twovix could involve 2 vixens (in an Orion sense) or somehow some need to do the opposite of Janeway and remerge the 2 Boimlers, especially as the shot of William Boimler is an outstanding issue from last season.

But with LDS it could be anything and that’s one of its amazing qualities.

Already have. Watched half the first season, then noped out of it.

Netflix shows get a lot of high audience ratings because they are dropped all at once or in half-season blocks. They are counting on binge watch behaviour. This can be misleading against weekly releases. Basically, it means Netflix shows will almost always dominate on a weekly count of minutes watched.

Nielsen isn’t giving total minutes watched per show per year stats, but those who buy the full data or have other metrics are looking at that instead.

A few Netflix shows, like Stranger Things, stay on top even after the equivalent time of a weekly release, but most don’t. This means Netflix has to be dropping new content constantly and has driven the content arms-race on streamers.

However, there’s accumulating evidence that weekly drops hold subscribers better. This is why HBO Max, Disney and Paramount stick with that. When their shows can break in a weekly count against the latest Netflix drops, they’re doing incredibly well.

[–] StillPaisleyCat@startrek.website 3 points 1 year ago (1 children)

I’m trying to work this through from the angle of what we learned in SNW S2E3 Tomorrow and Tomorrow and Tomorrow.

Now that it’s reconfirmed that Star Trek doesn’t have an infinitely ever-branching and expanding multiverse (unlike Marvel or DC), we need to consider how a resilient Prime timeline (river of time) would affect how the fractured timeline in this episode healed - and therefore who would remember what.

In the SNW episode, La’an (and presumably Pelia) are exceptions. Others in the 22nd century aren’t aware that key events like the Eugenics War and Khan’s birth have slipped in time.

So, in Voyager, it seems as though anyone in the crew who did not receive the treatment would not have been able to integrate memories from across the fractured timeline and would only have what they knew in the current one.

As for Janeway, it does raise questions about her foreknowledge. It’s also the case that she would know that the major events related to what they experienced was likely, but it could slip by years, and with sufficiently major interventions the timeline might fork. In fact, the future shown in the episode could have represented a fork that would occur if they did not undo the fracturing.

Great to see someone bring some positive She-Hulk energy here. Difficult to choose between the Byrne and Slot run’s for a favourite.

I just know that Mariner and Jen would get on fabulously.

Great spotting! That IS Murf.

Interesting that Prodigy is represented, even if Murf is just photobombing again.

How about watching it and judging it for yourself? YMMV.

It’s not a 90s Trek show, in that it leans more to recapturing a TOS vibe. But it’s its own thing, and that’s where it’s strengths lie.

There are a great variety and range of styles of episodes, which it can do simply because it is episodic. Most of all though, it is driven by character arcs and character development.

I’m not looking for 20, but 12-15 as Discovery was granted seems reasonable if only to catch up.

I wouldn’t whinge if they divided the season into 2 parts as they do on Netflix in order to allow for postproduction.

I’m still boggled that they pulled it to write it off.

Great to see the event getting amplification in major industry media.

Previous years were better but still not well done. ( I recall a pair of social media personalities one year leading the social media side who clearly didn’t know the franchise.)

Having Jerry as a host with some prerecorded bits sounds like a better plan, but in previous years the hosts had to cover for a lot of disorganization.

Beyond the fact that SAG-ACTRA is not calling for audience boycotts (yet), I am wondering if Jerry is exempt from the strike conditions when performing as a host. Hosting or reality TV aren’t covered by the union (although they would like it to be). If he doesn’t speak at to his role in Lower Decks (which is covered under a different animated writers union), it’s possible that live hosting is permitted.

I’m glad to see two Canadian cities included in the Lower Decks screenings, Vancouver and Calgary. And in London for the UK too.

Paramount’s communications and marketing folks seem to be struggling still with messaging outside the US. It’s a beginning, if unfortunately happening during a strike.

Vancouver seems a natural given the USS Vancouver appeared in the show, and as Titmouse Animated works on the show there. Curious why Calgary got the nod, other than its being Bruce Horak’s home town. With the event falling on the second day of the Toronto International Film Festival, it not surprising that they weren’t able to book a screen there. Hopefully, there’ll be a future 70mm live action season premiere at the original IMAX at the Science Centre near where SNW has filmed at Ontario Place.

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