Sigh. It’s astounding how frequently, for a franchise that wants to be global, we are confronted with the perspective that really, to those marketing tie-ins, only the US market counts.
Yes, there’s legal stuff to deal with. So deal I say. It feels like Paramount licensing is still existing in the 1960s.
I understood that the EP/Showrunner is the same for all, and the writer of the first one. So, he set the tone. Sigh.
A am still hopeful for ‘Holograms all the way down’ as it has Aaron Waltke as the writer credited.