this post was submitted on 24 Oct 2025
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Tsukuyomi-no-Mikoto (ツクヨミノミコト, 月読命), or simply Tsukuyomi (ツクヨミ, 月読) or Tsukiyomi (ツキヨミ), is the moon kami in Japanese mythology and the Shinto religion. The name "Tsukuyomi" is a compound of the Old Japanese words tsuku (月; "moon, month", becoming modern Japanese tsuki) and yomi (読み; "reading, counting"). The Nihon Shoki mentions this name spelled as Tsukuyumi (月弓; "moon bow"), but this yumi is likely a variation in pronunciation of yomi. An alternative interpretation is that his name is a combination of tsukiyo (月夜; "moonlit night") and mi (見; "looking, watching"). -no-Mikoto is a common honorific appended to the names of Kami; it may be understood as similar to the English honorific 'the Great'.

In Man'yōshū, Tsukuyomi's name is sometimes rendered as Tsukuyomi Otoko (月讀壮士; "moon-reading man"), implying that he is male

Myth

Tsukuyomi was the second of the "three noble children" (三貴子, Mihashira-no-Uzu-no-Miko) born when Izanagi-no-Mikoto, the kami who created the first land of Onogoroshima, was cleansing himself of his kegare while bathing after escaping the underworld and the clutches of his enraged dead sister, Izanami-no-Mikoto. Tsukuyomi was born when he washed out of Izanagi's right eye. However, in an alternative story, Tsukuyomi was born from a mirror made of white copper in Izanagi's right hand.

Tsukuyomi angered Amaterasu (who in some sources was his wife) when he killed Ukemochi, the megami of food. Amaterasu once sent Tsukuyomi to represent her at a feast presented by Ukemochi. The megami created the food by turning to the ocean and spitting out a fish, then facing a forest and spitting out game, and finally turning to a rice paddy and coughing up a bowl of rice. Tsukuyomi was utterly disgusted by the manner of which the exquisite-looking meal was made in, so he killed her.

Amaterasu learned what happened and she was so angry that she refused to ever look at Tsukuyomi again, forever moving to another part of the sky. This is the reason that day and night are never together. This is according to one of the accounts in the Nihon Shoki. Tsukuyomi does not have such significance in the Kojiki, in which there is a similar tale about Susanoo-no-Mikoto killing a similar food megami named Ōgetsuhime, who is often conflated with Ukemochi.

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[–] Euergetes@hexbear.net 11 points 1 week ago (2 children)

ive become obsessed with this image today, [see my pfp] the more i learn about it

this is a relief from Simon de Montfort's tomb, he was a crusader who went to Toulouse to kill the Cathars, and apparently how he died was literally this picture: women operating a trebuchet that smeared him on a field.

WHY is this in his tomb though? WHY do all the women have sicko poses (and beard dude is getting pegged)? it's so unbelievable that something this funny and unflattering was in the dude's tomb. he died a dumbass pathetic death and women were responsible, what kind of a macho knight has that etched into stone?

[–] Enjoyer_of_Games@hexbear.net 2 points 1 week ago

The remains of Count Simon de Montfort were transported to Carcassonne immediately after the lifting of the siege and deposited in the cathedral church of Saint-Nazaire. In this church, largely rebuilt at the beginning of the 14th century, a bas-relief carved in local sandstone, of very crude workmanship, was found, which perhaps comes from the tomb of the Count, and which represents the last phase of the siege of Toulouse.

machine translated from here

According to wikipedia he was actually killed by stabbing in combat with the whole smearing thing being more of a post battle desecration.

Roger Mortimer killed Montfort by stabbing him in the neck with a lance. Montfort's last words were said to have been "Thank God".

This guy is the most monty python sketch character ever to have lived.

it's so unbelievable that something this funny and unflattering was in the dude's tomb.

History is written by the winners and he lost hard.

But...

Following Montfort's death, he became the focus of an unofficial popular miracle cult, centred on his grave in Evesham Abbey. It was practised in secret for at least two years because of an official ban, but lasted until c.1280.

Considering the local origin and "very crude workmanship" maybe we can speculate that it's graffiti from some cultists??