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this post was submitted on 13 May 2025
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Interstellar is like Neo-Posadism minus Marxism. The premise was awesome. Climate apocalypse and space travel. But the movie doesn't have humanity solve either of those problems. Instead it pops it's collar and says *don't worry bro, ~~the market~~ ~~Marxist space aliens~~ ~~some scientists~~ ~~a famous shirtless hot actor guy~~ fuck you who cares the green guy behind a curtain made a worm hole or something".
I thought the bigger issue was the premise. If earth is in a climate apocalypse, and we have extremely advanced technology that lets us bring life to far out planets, then why are we leaving earth? Canβt those same technologies be applied to saving the earth people?
The whole βwe have to go spaceβ feels like manifest destiny and the desperate urge of capitalism to expand.
What I got out of it was that plant life got diseases that killed them/made them unedible and corn was the only one holding off until the start of the movie. Also in my extremely slim understanding of planetary modification you need to release gases (carbon dioxide, oxygen etc) on a planet to create an atmosphere and it's way easier to release gases than remove them.
So their plan was to let the earth crops rot away and plant fresh ones where there is no diseases.
I also didn't like the "I'm going to fuck off and let everyone else die" philosophy of not solving the climate issue at home.
I have a feeling Chris Nolan goes into films with some specifically detailed poignant character moments in mind, and then he just hastily weaves a plot to tie them together. It's interesting to watch at least, but maybe too high brow(?) to call entertaining
For Interstellar, at least, I'd say it's incredibly low-brow. The resolution is just "the power of wuv saves humanity!", which is extremely simplistic and easily understood by the masses.
Well I meant mostly the talking parts which we were told to care about but most people forget
That would explain why his best films are based on books