this post was submitted on 25 Oct 2023
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Spotify has removed offensive imagery associated with a controversial song by Christian rapper Tyson James and his 11-year-old son Toby James, following a complaint by GLAAD.

However, the song “Still 2 Genders,” criticized for its transphobic lyrics, continues to be available on the platform. Meanwhile, no changes have been made to Apple Music’s platform.

Earlier this month, The Advocatereported that the song was accessible on major music streaming platforms, including Spotify and Apple Music, despite its derogatory lyrics towards transgender individuals, including a slur to describe them. The situation caught the attention of GLAAD, which then took up the issue with Spotify’s trust and safety team.

In an updated statement provided to The Advocate, a spokesperson from GLAAD emphasized the importance of enforcing hate speech policies by companies.

“Companies have hate speech policies to protect all users from toxic content and especially from content that incites violence against marginalized people. When these policies are violated, it is important to see companies enforce them,” the statement read.

GLAAD’s statement highlighted the grave real-world implications of hateful rhetoric and imagery connecting it to a tragic incident.

“The terrible murder of Lauri Carlton, an ally who had hung a Pride flag outside her store, is connected to a suspect who had an image of a burning Pride flag pinned to his Twitter profile,” the statement added.

The spokesperson further noted, “Rhetoric, images, and targeting of LGBTQ people encourages real-world harms. Companies and brands must continue to recognize their responsibility to people’s safety and public safety and immediately act to avoid facilitating anti-LGBTQ hate and violence.”

Spotify responded by removing the album cover and video imagery that included a burning Progress Pride flag GLAAD noted to The Advocate. Despite these steps, the song itself, carrying an anti-trans slur and dehumanizing transgender people as “demons,” remains live on Spotify’s platform.

Both Spotify and Apple Music have policies in place to moderate content on their platforms. Apple Music for Artists’ terms of service stipulates that all lyrics provided to the platform must be “correct, accurate, and do not contain hate speech.” On the other hand, Spotify’s Dangerous Content policy bars “content that incites violence or hatred towards a person or group of people based on race, religion, gender identity or expression.”

Despite these policies, Apple Music has yet to make any changes or respond to inquiries regarding the song’s availability on its platform.

In a prior response, GLAAD had stressed the digital sphere’s struggle with hate speech moderation, especially concerning anti-LGBTQ+ content, which extends beyond the realm of music streaming platforms. Their concern was not only about the derogatory lyrics but also the inconsistency in enforcing content policies by these platforms, which undermines the safety and inclusivity of all users.

As the scrutiny continues, both Spotify and Apple Music remain unresponsive to multiple inquiries from The Advocate regarding this issue. This scenario underscores a broader discussion concerning digital content moderation on streaming platforms, especially around anti-LGBTQ+ content.

link: https://www.advocate.com/news/spotify-transphobic-song-glaad

archive link: https://archive.ph/tz9FX

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[–] thelastknowngod@lemm.ee 42 points 1 year ago (2 children)

Just checked. Seems like Where The Hood At by DMX is still there. Is this really any worse?

[–] ultratiem@lemmy.ca 14 points 1 year ago (2 children)

Honestly that song is absolutely wild and more wild that it’s just totally accepted as ok. Like it’s the homophobic anthem ffs.

[–] thelastknowngod@lemm.ee 9 points 1 year ago (1 children)

It really is. The beat, the hook.. All great. It's a legit fantastic song if it wasn't for the absolute dog shit content of the lyrics.

[–] ultratiem@lemmy.ca 4 points 1 year ago

Yeah 100% I love the song. Just can’t get past the lyrics.

[–] dangblingus@lemmy.dbzer0.com 7 points 1 year ago

No different than 95% of all hip hop made in the 90s.

[–] LadyAutumn@lemmy.blahaj.zone 5 points 1 year ago (1 children)

True. This song is current and plays very outspoken into a hate narrative that is tolerated by mainstream culture and is having real impacts on people today. Not that homophobia isn't also a part of this same thing but. This song was written with only the purpose of promoting this specific fascist hate movement. Fascist media shouldn't be tolerated anywhere by anyone. Tolerating them is the first step towards legitimizing them. A tolerant society must excise fascism from its roots wherever it should grow. We have already failed in this, but the least we can do is condemn fascists and the organizations that harbor their content.

[–] wizardbeard@lemmy.dbzer0.com 2 points 1 year ago* (last edited 1 year ago) (1 children)

Legitimately curious, what makes this hate media fascist?

EDIT: From your other comments it appears that this is fascist because being against LGBT rights is a common aspect of the modern neofascist movement.

[–] LadyAutumn@lemmy.blahaj.zone 5 points 1 year ago

No it's fascist because it is specifically media created to propagate a fascist conspiracy theory about queer people being pedophiles who should be restricted from public life and who should face medical legal and social discrimination across all levels of society.

It's fascist because it's literally part of a fascist movement. I'm not using that word liberally, I am literally saying that this media and the movement it's a part of is fascist. That it is comparable to media produced by Nazi Germany about queer people. That it is comparable in narrative structure to Nazi conspiracy theories, and other fascist narratives from fascist Italy and fascist Japan.