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X appears to be juicing MrBeast’s views to woo the YouTuber to the platform, pushing video upload into users’ feeds as an unlabeled ad (mashable.com)

submitted 10 months ago by L4s@lemmy.world to c/technology@lemmy.world

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X appears to be juicing MrBeast’s views to woo the YouTuber to the platform, pushing video upload into users’ feeds as an unlabeled ad::undefined

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[–] jjjalljs@ttrpg.network 4 points 10 months ago (1 children)

I still read the order of the stick, even though it updates glacially: https://www.giantitp.com/comics/oots.html

It's so good. Starts as a goofy DND joke strip, develops a ton of pathos.

[–] SnotFlickerman@lemmy.blahaj.zone 8 points 10 months ago* (last edited 10 months ago) (1 children)

What early 2000's webcomics taught me is there were a lot of really great writers out there with some subpar art skills.

When the writing is so good, you don't give a shit that it's all stick figures.

EDIT: I almost forgot. With some of them, the best part was watching them go from stick figures to genuinely great art. Penny Arcade is a great example. The originals were so badly drawn, and it went from bad art to an artist literally having a style all their own.

[–] Patch@feddit.uk 3 points 10 months ago (2 children)

Some of them were actually pretty good artists; occasionally you'd see them do other stuff and it'd be genuinely good on an artistic level.

The whole stick man, lumpy face, primitivist thing was just an "in" aesthetic (while also being conveniently really quick to produce).

[–] root_beer@midwest.social 2 points 10 months ago (1 children)

There are a few webcomics out there that have some excellent artwork. Lackadaisy is the first to come to mind, though updates have always been verrrry sporadic—especially now that she’s working on an animated version—and there was one called The Abominable Charles Christopher that was fucking phenomenal, but it just sorta… stopped. I’m still subscribed to the RSS because I’m holding out hope, but I know it’s over.

[–] SnotFlickerman@lemmy.blahaj.zone 1 points 10 months ago

Oh Jeeze thanks for the reminder of Abominable Charles Christopher. I was always so disappointed when it just sort of stopped. I always assumed he got a professional gig through the work he was doing.

[–] SnotFlickerman@lemmy.blahaj.zone 1 points 10 months ago* (last edited 10 months ago)

Some of them were actually pretty good artists; occasionally you’d see them do other stuff and it’d be genuinely good on an artistic level.

Right, but some of them also blossomed beautifully!

I remember Dresden Codak being good art from the get-go, and it only got better over the years. Same with Perry Bible Fellowship, that guys got some fucking artistic chops.

The whole stick man, lumpy face, primitivist thing was just an “in” aesthetic (while also being conveniently really quick to produce).

I'd say this went for things like Cyanide and Happiness, which if I recall correctly, had a series of artists, it wasn't all just one person.

Stuff like Sluggy Freelance? Yeah, the art and writing really never got that much better.

Then you have Dinosaur Comics, whose entire shtick was (and is) just re-using the exact same panels for every comic.

Once again... We don't talk about SinFest.