this post was submitted on 22 Oct 2025
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“For quality games media, I continue to believe that the best form of stability is dedicated reader bases to remove reliance on funds, and a hybrid of direct reader funding and advertisements. If people want to keep reading quality content from full time professionals, they need to support it or lose it. That’s never been more critical than now.”

The games media outlets that have survived, except for Gamespot and IGN, have just about all switched to this model. It seems to be the only way it survives.

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[–] Aielman15@lemmy.world 103 points 1 week ago (6 children)

Journalism at large is dangerously close to dying. People favour free click- and rage-bait headlines on Facebook over quality journalism. The latter can't compete because quality costs money, while cheap quality articles oversaturate the market. AI only exacerbated the issue.

[–] CosmoNova@lemmy.world 31 points 1 week ago* (last edited 1 week ago) (1 children)

Which is why the free democratic world has to keep subsiding quality journalism that sticks to the facts. Sadly that‘s dying along with private newspapers because governments believe people just don‘t want it and it‘s not worth keeping. They treat it as entertainment and that‘s a huge problem because it‘s a pillar of democracy. Defunding it is dangerous.

As for games… well, there‘s plenty of ways and different mediums to consume games nowadays so it makes sense magazines are vanishing along with game events despite the medium being bigger than ever. Most of the older game news outlets have overstayed their welcome.

[–] Credibly_Human@lemmy.world 4 points 1 week ago

I think they're almost kinda right.

I think these platforms need to adapt. They need to make short form, entertaining videos like The Washington Post or the break off with Dave Jorgenson called Local News International.

There is too much news for anyone to actually bother reading the long form articles that theyre used to having awfully agitating formats designed to get the reader to read the whole thing and scroll past ads.

Short form, entertaining, and factual is the best route. Do a little skit, explain the concept simply, bingo bango.

[–] ampersandrew@lemmy.world 17 points 1 week ago (4 children)

Getting my news from reddit or Lemmy led to the same problems, and neither actually gave me the news, so in the past couple of years, I have definitely budgeted for a news subscription as well.

[–] Ashtear@piefed.social 6 points 1 week ago

If I had the money I'd definitely do the same, but for now I do RSS instead of link aggregator communities if I'm being serious about it. Takes some curation, but at the very least it's not being run through a vote algorithm first.

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[–] setsneedtofeed@lemmy.world 3 points 1 week ago* (last edited 1 week ago) (4 children)

click- and rage-bait headlines on Facebook over quality journalism

Gaming journalism has been overrun with that.

What I, and I think many people, want are trustworthy, knowledgable reviews.

I can't trust any of the major publications. I trust a small handful of YouTubers who are giving me more of what I want than the entire professional industry.

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[–] Auth@lemmy.world 3 points 1 week ago

You even see it here. People will post "quality journalism" and then it gets attacked because its nuanced and doesnt extrapolate into extreme claims.

People are so used to the rage-bait and bad journalism that its hard for actual reporting to break through. As well as it takes 1000x more effort to gather the evidence and story for quality reporting. Its bad, we need to start supporting journalists through gov subsidies and donations.

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[–] njm1314@lemmy.world 42 points 1 week ago (6 children)

I mean I'd like to be upset but honestly video game journalism has always been the lowest form of Journalism. Mostly it's just pure propaganda and press releases from major game companies. 90 to 95% of Articles written by these game journalists were just useless fluff.

[–] yermaw@sh.itjust.works 12 points 1 week ago

They were useful in the past as a magazine by the toilet really helped.

[–] bleistift2@sopuli.xyz 10 points 1 week ago (2 children)

Remember how Cyberpunk got hyped across the board? Not a single critical voice before launch (as far as I’ve heard). If that’s the “journalism” you’re providing, then I’m sure as hell not paying for it.

[–] Chozo@fedia.io 11 points 1 week ago (1 children)

It's hard to be critical of something that hasn't been released yet. All anybody had to go off of were statements from the developers, until the product was actually released and people could get their hands on it.

[–] setsneedtofeed@lemmy.world 12 points 1 week ago* (last edited 1 week ago)

That might be exactly part of why gaming journalism is irrelevant.

If the "news" about an upcoming game is just repeating developer hype, then it's just useless noise. At that point the only thing that matters are reviews, and independent YouTubers are beating the professionals in quality and trustworthiness.

So what's left? Actual dry industry news? I suppose some small amount of people care, but not enough to support the amount of gaming journalists out there.

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[–] Ashtear@piefed.social 4 points 1 week ago

Maybe it's because my experience with it goes well back into the print era, but very little of it is actual fact-finding capital "J" journalism, and even that part has only come on in the industry more recently. I've always put the games press in its proper buckets of "previews for access" and then game criticism. Quality for both varies, but I'm rarely disappointed when I stick to a publication I like (until the inevitable EIC churn, anyway).

[–] mostlikelyaperson@lemmy.world 3 points 1 week ago

Yup, I remember even back in the print era there was significant criticism about the relationships between games publishers and various magazines resulting in what was essentially advertising disguised as articles. Payment was either indirect (exclusive access to preview builds etc) or direct via in-magazine advertising. Can’t badmouth the big flagship game releases too much when EA just paid big bucks to advertise the very same title for the next view editions.

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[–] chunes@lemmy.world 22 points 1 week ago (2 children)

Anecdotal, but I have never read a game review in my life that was from a journalist. It's always been in forums, and lately some small youtubers. I want to hear from normal gamers, not people getting a paycheck for it.

[–] setsneedtofeed@lemmy.world 6 points 1 week ago (6 children)

Back in the late 90s-early 2000s the PCGamer magazine was actually worthwhile. It had reviewers who specialized in different genres and if read enough you could get a feel for their writing style and critical voice. The fact it was a monthly publication meant they weren't racing to get a review out in the first 24 hours.

Nowadays it all seems like publications race to put reviews out online for relevance, and the reviewers often seem to have a disdain for video games and even if they don't they aren't genre experts.

I don't like fighting games. My review of a fighting game would be trash. Yet major publications just pump out reviews by whoever.

Individual youtubers at least can develop a recognizable critical voice and stick more to genres they know and enjoy.

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[–] dukemirage@lemmy.world 3 points 1 week ago

I‘d rather read a well articulated opinion that is embedded into a rich cultural context than some rambling from strangers. I know the former is hard to find (Eurogamer and RPS are good, but suffer from layoffs, too). The latter I only skim through to find things I might find distracting that were omitted by others.

[–] setsneedtofeed@lemmy.world 19 points 1 week ago* (last edited 1 week ago) (7 children)

The entire industry was flooded with mouthpieces for developer statements, and opinion piece hottakes. How many of those people does an industry really need? (Or more importantly: How many of those people can it financially support?)

As for reviews, they are for the most part similarly worthless and hard to trust. There's about five YouTubers who I actually trust the opinions of, and I haven't felt left out at all with that as the extent of my gaming journalism intake.

I can't be certain, but I suspect a lot of gamers are completely burnt out on the professional gaming journalism industry.

[–] SaraTonin@lemmy.world 8 points 1 week ago

Go to Steam page. Scroll to bottom. Filter out negative reviews. Read 5-10. Update filers to only show negative reviews. Read 5-10.

That’s never let me down when it comes to determining whether or not a game is one I’ll enjoy.

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[–] M0oP0o@mander.xyz 18 points 1 week ago

Yeah, it turns out people don't like advertising pretending to be reviews.

[–] echodot@feddit.uk 12 points 1 week ago (2 children)

That's because a lot of the reviews weren't been read because they weren't trustworthy, if you reviewed a game poorly (even if it deserved the poor review) the journalist wouldn't be invited back to review the next game that studio put out or were still the publisher could blacklist you blocking you from potentially dozens of games every year. Nintendo do this all the time.

[–] Rooster326@programming.dev 5 points 1 week ago (2 children)

Nobody is stopping them from buying their own copy, and reviewing at release with an honest review.

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[–] Gorilladrums@lemmy.world 10 points 1 week ago* (last edited 1 week ago) (17 children)

Back in like 2012, a gaming journalist would write an honest review of a game they tried or they would give an update on the industry or they would share interesting tips and info about certain games and franchises. The sites would be clean, maybe a couple of ads here and there, but the overall atmosphere is driven by genuine passion.

Today, you don't get any of that. Instead you get an advertisement masquerading as an article. The reviews aren't authentic, the updates are basically a part of marketing campaigns, and the info they give is there to push readers to buy something. The sites are all completely cluttered with ads, a lot of the articles are just AI slop, and the industry is driven by greed. Why would anybody go there anymore? Might as well just go see a youtube review or get the game and try it out yourself.

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[–] slumberlust@lemmy.world 8 points 1 week ago (2 children)

Shout-out to Nextlander and Giantbomb for keeping gaming journalism alive.

[–] YiddishMcSquidish@lemmy.today 6 points 1 week ago

Giantbomb is legit the fucking goat.

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[–] whotookkarl@lemmy.dbzer0.com 8 points 1 week ago* (last edited 1 week ago) (1 children)

Special interest journalism is usually overrun by corporate interests and inflated reviews. Find someone who knows the history of the industry and was fired or left an organization for something like reporting a low review to search out integrity for individuals.

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[–] SoftestSapphic@lemmy.world 8 points 1 week ago (3 children)
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[–] lechekaflan@lemmy.world 8 points 1 week ago

It's so bad now that nearly all the articles are mainly clickbait or written to favor a particular game (no matter how mediocre), and someone had to create what's called Saved You A Click.

[–] Credibly_Human@lemmy.world 7 points 1 week ago (1 children)

I've never remembered seeing quality video games journalism.

The tyypes that they're describing as that always seemed hacky and liable to push very subjective opinions as facts.

Their scores almost always seemed wonky and part of that is probably because individual scores for something as complex as a game don't really make sense. They rarely make sense for anything.

Instead what you want are scores in multiple areas with no single amalgamated score.

Anyhow, for the longest while video games journalism has been rife with controversy about pulling negative reviews for ad deals etc.

I think unfortunately written media is pretty much dying due to finances, and for video games, due to never being all that good in the first place.

The details I care about, like monetization, grind, and performance, are the details that most games journalists just completely skim over or they'll glaze game companies while they perform awfully here.

My way of buying games is basically watching video reviews of someone playing and mostly ignoring their commentary to figure out those details for myself.

That and benchmarks of course.... and figuring out whether they're owned by the saudi government....

Anyways, yea, video content for games both makes more sense, and more money.

I can totally get this feeling for PC/consumer electronics hardware related articles and reviews, but for video games? Meh. I won't cry.

[–] ampersandrew@lemmy.world 3 points 1 week ago (1 children)

Instead what you want are scores in multiple areas with no single amalgamated score.

Well, it's definitely not what I want.

[–] Credibly_Human@lemmy.world 3 points 1 week ago (2 children)

Understandable. I just feel like amalgamated scores tend not to truly reflect the subjective opinions of the reviewer as sometimes games are more or less than the sum of their parts, and then it doesn't represent anything close to objectivity because it ignores that different people value different things more or less than others, therefore making this score not all that useful for them.

I can completely understand just wanting a quick score at a glance from a favourite review or outlet though.

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[–] Rei13@piefed.social 6 points 1 week ago

Personally haven't really read gaming journalism even before. If I want to see what score a game has, I'm much more likely to check How Long To Beat or Backloggd, where users rate games.

Or, as has been mentioned in this thread, Youtubers, if I want a singular subjective opinion as opposed to a "out of 5" or "out of 10" score which, admittedly can be tricky when different people have a different view on what each number should mean. For instance, a 5 (on a 10 scale), is average for me when I rate anime. But most of the anime community uses 7 as the average, so a 6.2 show on MyAnimeList, which you would think is above average, is actually below.

[–] NigelFrobisher@aussie.zone 5 points 1 week ago

They don’t need humans to write the engagement slop articles anymore.

[–] SlartyBartFast@sh.itjust.works 5 points 1 week ago (2 children)
[–] Quique@lemmy.world 5 points 1 week ago (1 children)

They were long gone before AI

[–] SlartyBartFast@sh.itjust.works 5 points 1 week ago (1 children)
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[–] Auth@lemmy.world 5 points 1 week ago

I hate games journalists. I'm sure there are some good ones but most of them are corporate trash and their reviews are thinly veiled ads. They dont care about the games they write about. They dont take the time to learn the games and are just generally bad at games. Basically the entire industry is just shitting out the most dogshit video game opinions 24/7. I'd rather go to Lemmy or Reddit and read what actual players have to say about games.

[–] Bronzebeard@lemmy.zip 5 points 1 week ago

Honestly surprised anyone who could claim to be a journalist was left in that advertising front of an industry

[–] stringere@sh.itjust.works 3 points 1 week ago

I tried contributing to game8. They only accept payment through paypal. I've closed my paypal account.

An effort was made.

Their game reviews are worth shit all, so their only worth is reporting on the game industry itself. And that's a niche area that not many people are interested in.

[–] NuXCOM_90Percent@lemmy.zip 3 points 1 week ago* (last edited 1 week ago) (2 children)

While I am a strong supporter of independent games media (and am ride or die Remap):

“For quality games media, I continue to believe that the best form of stability is dedicated reader bases to remove reliance on funds, and a hybrid of direct reader funding and advertisements. If people want to keep reading quality content from full time professionals, they need to support it or lose it. That’s never been more critical than now.”

This doesn't scale. The outlets doing this can support MAYBE 3 people with the outliers being Kinda Funny who have never found a sponsorship they didn't like and Giant Bomb who are pretty much riding on the massive support wave after they got fired AND have THE biggest legacy name out there and... time will really tell if they can keep supporting the whole crew this time next year. Oh, and MinnMax where Ben has to constantly remind people that he is actually the only full time employee and all the cohorts are contractors with day jobs and that you can also see Janet at Remap or her twitch channel and Charles at Game Informer and Jacob talking about death in a video essay on Nebula and...

But the other aspect, which Remap (specifically Patrick Klepek and Rob Zacny) have pointed out is... when you are part of a big org you have, among other things, lawyers. You can't really do investigative journalism without those. With the power of (I think at the time it was) Kotaku? Jason Schreier is the "press sneak thief" and Bethesda just puts the outlet on a shitlist for review codes until the end of time. Without the power of Kotaku? Jason gets a letter in the mail and needs to find a lawyer who can protect him.

Outlets like 404 Media (and, to a much lesser extent, Aftermath) have more or less structured themselves entirely around this and I don't actually know how they are pulling it off.

But Independent Games Media is, by and large, just that: Games Media. Not Games Journalism. And the reason you want the latter can probably be summed up with the Nintendo pricing of the Switch 2. They very specifically did not mention it as part of their press event or in the copy they sent out. And many outlets (including Remap and MinnMax) pointed out why. It is not going to look good for them but by doing it that way they control the message. Because all the Hype is gonna be for the Direct. So they get all the benefits of all your favorite talking heads Talking Over a Mario Kart trailer but the actual pricing? That is MAYBE an updated news article or a tweet. Which becomes "it is what it is" when they go to buy rather than "Wait... IS a gameboy actually worth 500 bucks?" discourse that we see for brands like XBOX that couldn't market their way out of a paper bag at this point.

And we've seen similar with so many controversies over the years. People who are REALLY tuned in might have heard about The mordhau "Show us your kni**a" thread and rampant racism or the black myth wukon sexism. But the majority of outlets people actually go to for coverage/opinions are VERY aware that their legal department is Uncle Jack and don't want that smoke. So you mostly just get "we aren't going to cover it" rather than "Yo dog, this shit is fucked" that we would in the old days.

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